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Rua Costa Cabral
11 September, 2018 / ,

The most extensive street in Porto begins in Marquês and goes on to the Circunvalação road practically in a straight line, one of the limits of the city. A long drive with lots to discover.

Built in a predominantly rural area of ​​the city, this street still plays an important role in the flow to the eastern part of the city, but also in access to neighbouring counties. Already in the nineteenth century, people and goods passed here on their way to Guimarães, Braga or Penafiel.

The Rua de Costa Cabral stood out from the old streets not only by its more regular geometry, but also by the paving. It was baptized with the name of Costa Cabral, minister who was not popular in Porto. Therefore, the inhabitants of the city did not adopt its title, preferring to call it Estrada da Cruz das Regateiras. The cross to which the name refers to is currently at the back of the church of Paranhos. Previously it was in a square where there was a post of collection of taxes on the goods that entered the city; the women who brought their products to sell in Porto were known for their haggling because they fought the tax authorities the price of the tax to be paid. In fact, when Costa Cabral ceased to be minister, the inhabitants of Porto destroyed the sign that indicated the name of the street.

The name was eventually accepted and the remnants of rural life disappeared. Today the Rua de Costa Cabral is mainly a commercial area with more traditional shops such as grocery stores or formal clothes rental shops, to restaurants and other businesses linked to tourism.

Points of interest

In the four kilometres that separate Marquês and Areosa, several buildings of different eras and styles deserve a closer look:

  • 114 – Centro de Caridade de Nossa Senhora do Perpétuo Socorro. Building by the architect Luís Cunha, example of renovation in religious art in the 50’s.
  • 196 – The former Palacete do Lima is a 19th century building that houses the headquarters of Académico Futebol Clube, a historic club in the city that still remains in operation. There is a bar open to the public.
  • 220 – Old Tobacco Factory A Lealdade. This building stands out for its lively yellow tones but also for its huge iron sunroom.
  • Number 323 – Modernist building from the 1940s where Cinema Júlio Dinis worked. It’s now a nightclub.
  • 716 – Casa-Museu Fernando de Castro – former residence of a poet and collector; has an important collection of Portuguese paintings and several examples of gilded carving.
  • Along the Rua de Costa Cabral there are several residential buildings dating from the 19th century, many of them with tiled facades with details that deserve attention on the balconies, doors and windows.
  • 740/760 – Costa Cabral Block – Residential building from the 50’s, designed by the architect Viana de Lima. Classified as Property of Public Interest.
  • 1121 – Hospital Conde Ferreira – was the first psychiatric hospital in Portugal. Inaugurated in 1883.

Porto de Leixões
5 September, 2018 / , ,

An essential port for the country and a striking and award-winning building. The Porto de Leixões and the Cruise Terminal are essential to get to know Porto and the North.

As this an Atlantic region and with a strategic location, the arrival of goods by sea was always essential for the development of this area of the country. But the sea is also connected to leisure and tourism and Leixões wants to increasingly be a gateway for those who arrive to Porto by sea.

The Terminal de Cruzeiros do Porto de Leixões, inaugurated in 2015, marks a new era in the history of the Porto de Leixões: the number of boats and passengers has increased every year (only this year it is expects 113 stopovers and more than 120 thousand) and those who arrive have better reception conditions.

The building is a spiral structure 40 meters high, covered with about one million white tiles manufactured by Vista Alegre. Its unique silhouette stands out in the landscape by the sea and awakens the curiosity of those who walk along the outskirts of Porto or Matosinhos. Inside, natural light and curved lines make the space more welcoming. It was considered the 2017 Building of the year in the Public Architecture category for the ArchDail website.

The Terminal de Cruzeiros do Porto de Leixões was considered by Cruises News as one of the best terminals in the world. This building is also home to CIIMAR – Centro Interdisciplinar de Investigação Marinha da Universidade do Porto (Interdisciplinary Centre for Marine Research of the University of Porto). It also houses the Parque de Ciência e Tecnologias do Mar da Universidade do Porto (Marine Science and Technology Park of the University of Porto) and several research units with a maritime vocation (from Biology to Robotics).

The Porto de Leixões Day

On September 15th, the Porto de Leixões opens its doors between 10.00 and 19.00, with initiatives for all ages. In addition to showing visitors the daily life of the port, there will be boat visits and a regatta.

Avenida da Liberdade, Matosinhos

GPS: 41.190507246926, -8.6861515045166

Public transport: Bus: STCP – 505, STCP – 507

Subway: Line A

www.apdl.pt

 

Guided tours:

Sundays: 9:30 a.m. to 2:30 p.m. and 2:30 p.m. to 5:00 p.m.

Normal ticket: € 5; free for children up to 12 years old; discounts for families,> 65 years, students.

Fontainhas – A viewpoint over the river
3 September, 2018 / ,

Highly sought after during the São João celebrations, the area of ​​the Fontainhas has a special charm at any time of the year thanks to its the magnificent landscape view.

This wide alameda, very close to the Ponte do Infante, is a privileged place to see the landscape of the Douro, Vila Nova de Gaia and a part of the city of Porto. From here you can also see four of the six bridges of the city of Porto: Ponte Luís I, Ponte do Infante, Ponte Maria Pia and Ponte de São João.

The trees and stone benches make this the perfect place to enjoy the shade on the hottest days or to watch the sunset.

If you want to venture out, you can go down the steep Rua da Corticeira towards the Douro River. On the way, you will find traces of an old chapel and a ceramic factory. For centuries, women who climbed the slope carrying heavy bales of carqueja (a plant that was later used in the furnaces of the downtown bakeries) walked on this sidewalk.

This is, still today, one of the most distinctive areas of the city and a place where strong bonds of friendship remain.

GPS:  41.14251570487, -8.6002564430237

Forte de São João Baptista
3 September, 2018 / , , ,

Also known as Castelo de São João da Foz, this fortress was built to protect the city from attacks by pirates and ships from enemy countries.

Built on the right bank of the Barra do Douro, the genesis of this fort was the residence of the bishop of Viseu, developed according to the design of an Italian architect. Considered as the first manifestation of Renaissance architecture in the north of Portugal, this house, as well as the adjacent buildings – such as the Church of São João Baptista and the chapel of São Miguel-o-Anjo – was surrounded by walls in the reign of D. Sebastião (1567). The strategic location, essential for the defence of the city and the region, would justify several interventions made over the years, trying to avoid attacks by pirates and ships from the nations with whom Portugal was at war with throughout its history.

When Portuguese independence was restored after 60 years of Spanish domination (1580-1640), D. João I wanted to know the state of the national fortresses and the need to build them stronger. The French engineer Charles Lassart was sent to Porto to delineate the necessary works in the fort; it was decided to demolish the church and the residence, making the fortress safer. After the works were completed, the presence of troops in the area was reinforced. In the 18th century the fortress was described as having four ramparts and 18 pieces of artillery, but by the end of this century it was concluded that it would be necessary to strengthen security, namely with the completion of the pit and with the construction of two batteries. In 1798, a portal in neoclassical style was also included, with a drawbridge, which replaced the primitive door of arms.

The evolution of the deployment and the capacity of defence caused this fort to lose its importance during the nineteenth century. In the middle of the twentieth century, it was abandoned but ended up being considered a Monument of Public Interest and in the 80’s and 90’s it was part of a cleaning and consolidation work.

Curiosities:

In the sixteenth, the works were paid with the amount raised by the tax on the salt.

During the Peninsular War (1808-1814), on June 6, 1808, Sergeant Major Raimundo José Pinheiro occupied the premises of the fort. The next morning he had the Portuguese flag flying on his mast. It was the first act of Portuguese reaction against the Napoleonic occupation.

During the Portuguese Civil War (1828-1834), he protected, during the siege of Oporto (1832-1833), the landing of supplies for the liberal troops in the city.

In the nineteenth century it served as political prison.

The poet Florbela Espanca, married to one of the officers, lived in the fort in the early 1920s.

GPS: 41.148445879541, -8.6748862266541

Schedule: From Monday to Friday 9:00 to 17:00

Pedro Abrunhosa
13 August, 2018 / ,

He is one of the greatest names of Portuguese music. It was with the album “Viagens” in 1994,that he was made known to the general public, having won the success and affection of many who maintained it until today through a total of 7 original works.

That first record featuring Maceo Parker, James Brown’s saxophone player, was followed by “Tempo” (1996), “Silêncio” (1999), “Momento” (2002), “Luz” (2007), “Longe” (2010) and “Contramão” (2013). In the first 5 studio albums, he was accompanied by the band Bandemónio; in the last 2, by the Comité Caviar. All the songs were written and composed by him.

He is Pedro Abrunhosa. He was born in 1960, started in classical music studies, was a teacher (from the age of 16) and bass guitarist of Jazz having founded the Escola de Jazz do Porto (Oporto Jazz School) and his own Orchestra. He is known for always wearing his sunglasses but mainly for many successes in the last 25 years of Portuguese music, such as “Tudo o que eu te dou”, “Momento”, “Se eu fosse um dia o teu olhar” – song composed for the soundtrack of the film “Adam and Eve” by Joaquim Leitão – “Toma conta de mim” or “Fazer o que ainda não foi feito”. His songs are interpreted in Brazil by names like Caetano Veloso (who invited him to present a show together at Expo98), Maria Bethânia, among many others. He also composed for other musicians, like Ana Moura, Carlos do Carmo or Camané. In 2004 he was one of the artists who closed Rock in Rio which was held for the first time in Lisbon. In addition to the 7 studio albums, he released two DVD’s: “Intimidade” in 2005 and “Coliseu” in 2011.

 

In addition to being a songwriter, Pedro Abrunhosa has appeared opposite Chiara Mastroianni in Manoel de Oliveira’s “A Carta”, 1999, and is a regular chronicler in various media outlets. In 2005 he founded the BoomStudios, recording studios for himself and for other national and international music names. He won several awards: 3 Golden Globes, the Bordallo Press Prize, the SPA Prize – Pedro Osório, 4 Blitz Awards, and many others.

In 2016, Pedro Abrunhosa was the author responsible for the song of support for the National Football Team at Euro2016 in France, with an adaptation of the song “Tudo que te dou”.

But Pedro Abrunhosa is also a man of causes. And if today the city vibrates with the cultural programming of the Coliseum, it is surely in the memory of the Porto residents the image of Pedro Abrunhosa handcuffed at the doors symbolizing the opposition of the city to the sale of the space. For this reason and for everything else, Pedro is a man from the city of Porto and Porto is the city of Pedro Abrunhosa.

The two images of Senhora da Luz
13 August, 2018 / , ,

Before the lighthouse of São Miguel, which was built in 1758 in Foz, there was a chapel dedicated to Senhora da Luz.

According to some studies, in prehistoric times that place would have a special meaning, as evidenced by marks made on rocks. The reference to Senhora da Luz (“Lady of Light”) and its chapel already emerges in 1680. It would be a simple construction, but of great importance for fishermen and sailors.

Bombarded during the liberal wars, the chapel would be destroyed but from its interior, an altar was spared with the image that is today in the Church of São João da Foz do Douro. This image of “Our Lady” invokes the light, so essential for those who sailed the seas. Framed by gilded carving and adorned with images of angels, the “Lady of Light” is still adored today.

In the same church, there is still another image representing Our Lady with Jesus on his lap, measuring 30 cm high and made in ivory. Despite its small size, it stands out for the rarity and beauty of its details, as it is decorated with a mantle embroidered with gold and colored stones. The image was intended to be carried and kissed by its faithful followers on festive days.

Source: O Tripeiro 7th Series, Year XV issue 9 September 1996

Foz Velha
13 August, 2018 /

Between the River Douro and the sea, the Foz Velha (old Foz) sometimes seems like its own city.

Inhabited since prehistoric times, this fertile area for agriculture and fishing was always inviting for shepherds, fishermen and farmers, but also members of the clergy.

In the 19th century, Foz, which until then did not belong to the city of Oporto, began to be visited for leisure activities, especially in the summer season. The wealthier families built summer homes there, and gradually the demography itself was altered making it the noblest area of ​​the city.

Strolling through Foz Velha is to discover narrow streets and centuries-old houses, but also unique landscapes and corners where the sea lurks.

The author of the page Porto a Penantes shows us, through images, all the beauty of Foz Velha.

PortoaPenantes/

A memorial made of wreckage
13 August, 2018 / ,

 

In the Agramonte Cemetery, in the Boavista area, a gigantic ark filled with burnt and twisted irons, reminds us of one of the city’s greatest tragedies.

On the night of March 20, 1888, a violent fire completely destroyed the Teatro Baquet, a building with two entrances (Rua de Sá da Bandeira and Rua de Santo António, currently Rua 31 de janeiro). That fateful night, the room was full and on stage comic opera was on. During a change of scenery, one of the cloths touched the flame of gaslight. Due to the materials, the antiquity of the building and the lack of a security plan, fire has spread rapidly and 120 people died in this tragedy.

The fire led to the redress of security in all the rooms of the city and, so that such misfortune was never forgotten, a memorial was made in the Cemetery of Agramonte. The mausoleum, which still intrigues people who do not know this episode of the history of the city, was made with pieces of iron and has on top a large crown of martyrs, also in iron.

Manuel de Novaes Cabral
13 August, 2018 / , ,

Born in 1960 in this city, where he carries his professional life, excluding the period in which he was head of the office of Minister Valente de Oliveira, in Lisbon. It is from here that since November 2011, he leads the IVDP, Institute of Douro and Port Wines, which supervises, monitors and certifies the quality and quantity of the and Douro wines as well as promotes them and defend the respective designations of origin. Graduated in Law and postgraduate in European Economics by the Universidade Católica Portuguesa, served as deputy director of the newspaper O Primeiro de Janeiro and was an adviser to the of the Fundação de Serralves.

But before arriving at the IVDP he was the Municipal Director of the Presidency of the Porto City Hall for 8 years and many years in the Coordination Commission of the Northern Region.

Getting back to wine, his connection is deeply familiar and institutional as for 4 years he was also Secretary-General of the Assembly of European Wine Regions, and represented the Porto City Hall at the Great Wine Capitals.  This connection is still made through books, rooted and properly cultivated taste; among others, he published “Aspects de la politique Vitivinicole des Régions d’Europe” (3 vols., 2000 and 2001), “Territories of the Wine” (1st edition, 2009, 2nd edition and Mode de Ler, 2010) and “Other Territories of Wine” (ed. Modo de Ler, 2012) and, of course, his frequent and regular participation in newspapers and magazines.

With wine as the center of attention, but with special focus on what the Douro region provides us.

As he considers wine a cultural element, he does not cease to make this connection constantly: he presented this month in July the book Poems of My Life, the 23rd volume of an annotated collection of poems inserted in a collection begun by Mário Soares, which includes authors such as Marcelo Rebelo de Sousa, Vasco Graça Moura or Eduardo Lourenço.

His suggestions are about the city where he lives and knows well. And what good tips he has to give

– Restaurant: I really like going to Ernesto, in Rua da Picaria. It blends really well its old feel with the cosmopolitanism of its clientele. And the walls full of memories, with the cosy good taste of my friend Reinaldo, along with an honest and impeccable kitchen.

 

– Bar: A Capela Incomum, in Carregal. The place, the friends and the very old memory of the visits (without any success) of the old Conservatory.

– Tour: Is Porto not a romantic city by nature? Let’s do the Caminhos do Romântico!

– Ideal place to drink some port wine: Port wine, by itself, at the right temperature and in the glass, transforms any place. I suggest, of course, the atmosphere of the Port Wine Cellars, in Vila Nova de Gaia.

– A secret of the city that you can reveal: The heart of D Pedro, in the Church of Lapa, whose keys are shared by the Ombudsman of the respective Brotherhood and the Mayor of Porto – only accessible to some and in very rare moments.

And if being a bit eerie: Why not circle through the cemeteries of Porto, like the catacombs of S. Francisco, or “hanging out” with Camilo Castelo Branco or Arnaldo Gama in the cemetery of Lapa? And if you go there, ask to see the pistol with which Camilo committed suicide in 1890 in S. Miguel de Seide.

One last tip: Do not forget to visit one of the lesser-known and most notable Houses of Porto, the former Banco Comercial do Porto, currently the Douro and Porto Wine Institute, in Rua Ferreira Borges where you can with a glass of Port in hand.

Procession of the paper costume in Foz do Douro
9 August, 2018 / , , , ,

 

From mid-June to mid-September, the União de Freguesias (Union of Parishes) of Aldoar, Foz do Douro and Nevogilde, host the São Bartolomeu parties – a group of activities that liven up the streets and unite populations and visitors.

The procession of the Paper Costume is admittedly the most awaited moment of the festivities, with a history that has already surpassed 100 years and that in the last decade has gained special notoriety in the city.

 

These are months of work and preparation, with a permanent focus on roots, history and stories of the region. The 2nd French Invasion of 1809 and the Liberation of the City of Porto is the theme for the Paper Costume Contest in 2018, which will take place on August 26. There are meters and meters of paper, surgically worked by dedicated hands that keep this festive moment in the city alive.

This year’s edition has 350 extras, from gatherings and associations of the União de Freguesias, who will join the remaining hundreds who visit Foz do Douro to live this unique experience.

The current format is now 75 years old and integrates a route that seeks to reach the main centers of the history of Foz do Douro. The costumes parade begins at 10:30 am and goes through the Cantareira, rich in its fishing tradition.

After the inevitable passage through the charismatic Jardim do Passeio Alegre, a favourite amongst many intellectuals who fill the culture of Foz do Douro and Oporto, the procession continues to Ourigo Beach where the sea baths take place, one of the most noticeable traditions at the São Bartolomeu parties.

These baths are filled with tradition and folktales. Also known as “holy baths”, these dives in the waters of the Atlantic – seven, as tradition says – are a way of thanking São Bartolomeu’s favors in the last year and for banishing malaria over the next twelve months.

The participants of this year’s edition come from Bloco da União de Freguesias de Aldoar, Foz do Douro e Nevogilde, Associação de Moradores do Bairro Social da Pasteleira – Previdência, Associação de Moradores do Bairro Social de Aldoar and Orfeão da Foz do Douro.

People from all different backgrounds and spaces join in this tradition, showing that the city is made of all and with all even in the most popular of its traditions.