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Writers’ route through Porto ( Júlio Dinis )
21 September, 2020 / , ,

Júlio Dinis (1839-1871), was born and baptized in Porto, in the parish of S. Nicolau.

He studied in Miragaia where he wrote the first literary texts, and studied medicine at the University of Porto. In 1852 and 1853, he lived in the village of Noêda, in the parish of Campanhã. In 1874 the writer moved in with his cousin’s family to Rua de Costa Cabral, in the parish of Paranhos, where he would later die of tuberculosis – he was 32 years old.

When he attended the first year of the Polytechnic Academy, he became acquainted and maintained an intimate friendship with the poet Soares de Passos, and from this circumstance he intensified his love of beautiful letters. He also participated in theater groups, and collaborated with Jornal do Porto.

In his books “Os Fidalgos da Casa Mourisca”, “A Morgadinha dos Canaviais” and “Uma Família Inglesa” we can find many references to the city where he was born, lived and died.

A sculptural ensemble, with a female figure who places a wreath near the poet’s bust, in low relief. He was buried in the cemetery of Cedofeita, together with his brother.

Ricardo Jorge – Precursor of the National Health System
21 September, 2020 / , ,

Ricardo de Almeida Jorge was born in Porto, on May 9, 1858.
He attended the Porto Medical-Surgical School between 1874 and 1879, finishing his medical course at the age of 21, with a dissertation “The nervousness in the past” Starting his professional life at the Faculty of Medicine and Surgery of Porto. In 1880, he taught Anatomy, Histology and Experimental Physiology at the same Faculty and competed for the position of substitute professor in the Surgery Department of the same school. He elaborates a work on Driving Locations in the Brain, at a time when neurology was taking its first steps. Not delaying clinical practice, he travels abroad several times, attending the lessons of the neurologist Charcot.
Meanwhile returning to Porto, he published several articles in scientific journals and set up the first microscopy and physiology laboratory in Porto.
As neurology was his first interest, he left a monumental work, covering diverse subjects, focusing most of his legacy on the specialties of Hygiene and Epidemiology. His style goes beyond a man of science, as we can see in a comment by Camilo Castelo Branco of whom he was a friend “The style of Ricardo Jorge dismay everything that is known in parliamentary oratory, academic dialectics, civic eloquence of clubs and even in pulpit oratory … ”, in the work Serões de S. Miguel de Seide.
The studies carried out on hydrotherapy and Ricardo Jorge’s interest in thermalism and hydrology (carrying out some experiments on the effects of alkaline fluorides and in thermal waters) follow, in 1888, the exploration contract for fifty years, of Caldas do Gerês , where he held the position of clinical director between 1889 and 1892. Companhia das Caldas do Gerês, with no vocation for business activity, went bankrupt in 1893.initiative.
He received the Armando Basto (1954), António Carneiro (1955), Henrique Pousão (1957) awards. He was also distinguished with the Medal of Cultural Merit of the Chamber of Cerveira (1982) and with the gold medals of the Chambers of Porto, in 1988, and of Gaia, in 2002. He is represented in public and private collections, among which: Museum do Chiado; Machado de Castro Museum among others. In 2006 he presented an anthological exhibition of his work at Casa-Museu Teixeira Lopes, in Vila Nova de Gaia
On June 10, 2006, he was made Grand Officer of the Order of Merit.
Several debates about the installation of cemeteries in Porto, led Ricardo Jorge to give a series of conferences (1884), in a contesting attitude to what the health authorities thought about social hygiene, contributing to a great debate. It was a fundamental moment in the evolutionary process of public health in Portugal.
At the invitation of the Porto City Council, he was part of a study on the health conditions of the city, preparing a report published in 1988. He was appointed Porto’s municipal doctor in 1891, receiving another invitation in 1892 to administer the Municipal Health Services. and Hygiene of Porto and the Municipal Laboratory of Bacteriology.
In 1895 he was appointed Professor of the Chair of Hygiene and Legal Medicine at the Medical-Surgical School of Porto.
The studies of Ricardo Jorge, Arantes Pereira and the Count of Samodães, helped to influence Queen D. Amélia in the creation of the National Assistance to Tuberculosis and the construction of sanatoriums for the sick.
In 1899 Porto was hit by an outbreak of bubonic plague (in theory extinct in the West since 1700). Ricardo Jorge makes the diagnosis reporting to the competent authorities the outbreak of the epidemic. International aid was immediately requested and two hundred tubes of “Yersin” serum were ordered from the Pasteur Institute in Paris. Although several people were vaccinated by Dr. Calmette, among whom Ricardo Jorge’s own children, knowing this very well the conditions for the development of the plague, put in place strict sanitary measures and elimination of the disease-transmitting agents such as rats and fleas (for each large rat delivered to a police station, 20 reis were paid for each small 10), in addition to preventive measures for the eradication of the pest (isolation of patients and disinfection of houses where pathological cases were found)
The Health Council enacted a sanitary cordon around the city, defended by the army, however, the economic damage resulting from isolation and the instigation by some political groups led to a population revolt, resulting in some violent episodes.
Although protected by the authorities and counting on the solidarity of the doctors of Porto Ricardo Jorge leaves for Lisbon where he is appointed Inspector-General of the United Kingdom’s Health Services, hygiene lens at the Lisbon Medical-Surgical School and member of the Higher Council for Hygiene and Health .

In 1899 he created that of the Directorate-General for Health and Public Benefit and the Central Hygiene Institute, later Instituto Superior de Higiene (which today bears his name).

We can say that Ricardo Jorge at the end of the 19th century gave rise to a deep reform in public health in Portugal, in all aspects that are within his reach (academic, legislative and research)

The political instability of the First Republic did not allow the development envisioned by Ricardo Jorge and it was only during the Estado Novo with Marcelo Caetano as President of the Council of Ministers that a new impetus to health issues was given, the health model presented by Baltazar Rebelo de Sousa and Gonçalves Ferreira, key to the creation of the future National Health System.

An interesting curiosity was the fact that he banned coca-cola in Portugal (in 1927 as Director-General of Health), as reported after taking notice of the advertising slogan created by Fernando Pessoa “First you get strange, then you get involved”. It was only in 1977 that this ban was lifted.

He was active until almost the end of his life, intervening and participating in a meeting of the International Hygiene Office three months before he died in Lisbon, on July 29, 1939.

The day the king visited Porto
21 September, 2020 / , , ,

In November and December 1908 D. Manuel II, who would become the last king of Portugal, made a long journey to the north of the country and spent several days in Oporto.

On one of these days, and after his mother, Queen Amélia, having shopped in a large store in the city, the people gathered at Campo da Regeneração (currently Praça da República) for a military parade.

The newspapers of the time headlined that many people went up to the rooftops to watch the parade, however, cars, trams that headed to the place had to turn back due to the concentration of people.

The Royal cortege toured several streets of the Baixa and on Rua de Santa Catarina, they were received with a shower of flowers. At the end of the day a gala dinner was held at Palácio dos Carrancas.
Dona Amelia had a full day, having visited the atelier of the sculptor Teixeira Lopes.
After having traveled several localities of the north, D. Manuel II returned to Oporto, having participated in a soirée at Ateneu Comercial of Porto.
In another tribute to the king, the baths of Praia do Ourigo were named after the King. In October of 1910 the Republic was implanted and the designation was forever forgotten.

SOURCE: The Tripeiro 7th grade Year XVI Number 1
and 2 February 1997

Porto seen from Gaia
21 September, 2020 /

More than a garden, it is a privileged viewpoint of the Rio Douro and the city of Porto. The Jardim do Morro, in Gaia, is a brilliant spot to watch the sunset or to appreciate a casual stroll and enjoy the view.

For those in Porto, the access to this garden on the other side of the Rio Douro, can be
done by metro since there is a station right in front, or by foot through the top deck of the Ponte D. Luís I.

The garden, which has been recently refurbished, lies within in the spot where a hill once stood but ended up being destroyed, so as to build an avenue that connected Gaia to the top deck of the bridge and Porto.

The garden was inaugurated in 1927 and has since then become a privileged viewpoint to Porto. A lake, a cave and, recently, some stone benches have been strategically placed to make it that much more charming. The recent construction work improved the green spaces within it, as well as adding in a bar and other supportive structures.

Avenida da República, Vila Nova de Gaia

Klimt & Monet in Porto
18 September, 2020 / , ,

Immersivus Gallery is the first gallery for immersive arts experiences in Portugal and aims to be a national artistic reference in the field.
Impressive Monet is a reinterpretation of the paintings from the founding father of Impressionism, showing the journey beyond the frame through the artist’s endless search for capturing light.

The audience will be immersed in the artist’s impressionism movement and will feel entailed by the lines and colors that are part of Monet’s world.

Brilliant Klimt’s show traces the biographical path and the artistic legacy of the Austrian artist through his iconic painting – The Kiss. This will be the main thread of the journey while exploring the influences of Klimt’s world.

Impressive Monet & Brilliant Klimt

21.08.2020 – 15.11.2020

Alfândega do Porto

Bilhetes / Tickets / Billetes – 9€

Spoon fountain
18 September, 2020 / ,

It will be one of the oldest fountains in the city. Not this one that we can see today at the bottom of Monte dos Judeus stairs, and should go back to the middle of the 19th century, but its predecessor, installed in the 13th century still on Miragaia beach, for community use.

The name “spoon” will come from the tax that had to be paid for the entry of products into the city (measured on a spoon); or according to other versions, by the spoon (wooden or metal) with which the water was given to drink. But the current fountain remains a relic, with its granite structure and strangely finished off with the balcony of a house. It is classified as a public interest property, but deserved better visibility.

Its water was once considered “the best in quality that the city had”. We can access the antiquity of this fountain by reading the legend, now almost imperceptible, that was engraved on the headstone “Praise the Most Holy Sacrament and the Most Holy Conception of the Virgin Our Lady, conceived without original sin. 1629. The water from this fountain is from the city

Source: O Tripeiro 7th series Year XXXVII Number 3 March 2018

The statue that, has the name of the city
17 September, 2020 / ,

In the very central Praça da Liberdade, more precisely at the confluence with Rua Dr. Artur de Magalhães Basto next to the Banco de Portugal Building, a statue is installed, nowadays seen drawn and photographed not only by the thousands of people who visit us, but equally by so many locals in their routine passages, and who represents a warrior.

It has a number of peculiarities that in itself arouse some interest.
From the very beginning, the fact that it is possibly the one that most ‘strolled’ through the city. It is now and since 2013 in the place closest to the point where it was designed, which was the top of the triangular pediment of the façade of the palace that existed at the north top of the current Praça da Liberdade where the City Hall was installed for about one hundred years until its demolition in 1916 for the opening of the then Avenida das Nações Aliadas, now Avenida dos Aliados. At that time it was dismounted and placed next to the Episcopal Palace and later on next to the Medieval Wall. Later it was removed again, this time to the Gardens of the Palácio de Cristal until the architect Fernando Távora, in the renovation work of Casa dos 24, installed it in Terreiro da Sé until finally being deposited in the place where it is today.

Another curious aspect is that we know that it was idealized and that is why it was often attributed to the Sculptor João de Sousa Alão but not made by him. He commissioned it from Mestre Pedreiro João Silva, who was actually its author.

The initial idea was to adorn that palace that until then had been a private residence, with symbols that identified it with the new functions of the Headquarters of the City Hall. And so this warrior was conceived with his weapons and a helmet topped by a dragon, as well as a shield where, in addition to the inscription Portus Cale, the Weapons of the City itself appear. For all these reasons, this work received the name of the city itself that symbolizes: “Porto”.

One last reference has to do with the costs and payment contract, because according to the documents of the municipal accounts of that year of 1818, it should be settled in 3 times the amount of… 343 $ 20. If we do not count on the obvious updates, this value corresponds to about € 1.60…

Jaime Isidoro
17 September, 2020 /

Porto was the main theme of his paintings

Born on March 21, 1924, he studied drawing and painting at the Soares dos Reis School, in Porto, and his first individual exhibition in 1945, in the city of Porto, in the then designated Salão Fantasia (on Rua 31 de Janeiro).

Porto was the main theme of his paintings, mainly watercolors.

In parallel with his career as a painter, he maintained a wide range of activities as a cultural animator, gallery owner and teacher, being connected to important moments in the visual arts in the city of Porto and in the country. He promoted the International Art Encounters in the 1970s and edited the Revista de Artes Plástica, which counted on the collaboration of important Portuguese critics and artists, showing a particular interest in the realization of innovative cultural projects.

In 1978, he founded the Vila Nova de Cerveira Art Biennial, in Alto Minho, which would become the main art biennial in the country. In the last years of his life, Jaime Isidoro was also linked to the biennial, being chairman of the general assembly table of the Cultural Development Core Project, which organizes the Cerveira initiative.
He received the Armando Basto (1954), António Carneiro (1955), Henrique Pousão (1957) awards. He was also distinguished with the Medal of Cultural Merit of the Chamber of Cerveira (1982) and with the gold medals of the Chambers of Porto, in 1988, and of Gaia, in 2002. He is represented in public and private collections, among which: Museum do Chiado; Machado de Castro Museum among others. In 2006 he presented an anthological exhibition of his work at Casa-Museu Teixeira Lopes, in Vila Nova de Gaia

On June 10, 2006, he was made Grand Officer of the Order of Merit.

Writers’ route through Porto ( Almeida Garret )
17 September, 2020 / ,

Literary Tourism offers cultural capital because it gives readers the possibility to visit and discover places that are related, inspired, and places that have marked the lives of writers and their assets.

The difficulty in discovering these places shows that there is a lot of work to do in the preservation and dissemination of this heritage. Some of the houses mentioned have an information board, but they are not considered cultural heritage, nor is there a survey, of all the houses that exist.

This type of tourism establishes strong relationships between tourists and their destinations, creative, affective and social relationships.

Porto can thus stand out and differentiate itself as a destination rich in cultural heritage, with history and renowned writers.

ALMEIDA GARRET

He was born in 1799 in Porto, at Rua Dr. Barbosa de Castro near Jardins da Cordoaria, in house no. 37-41, and lived there until the age of five, later moving to Vila Nova de Gaia.

In the middle of the first floor of the house, with 18th century characteristics, in an oval medallion in plaster, placed by the city hall in 1864, an inscription honors the memory of the author of “Viagens na Minha Terra”.

There are writer’s marks all over the city:

– Church of Santo Ildefonso, where Garrett was baptized in 1799;
– building of Colégio de S. Lourenço / Igreja dos Grilos na Sé, and improvised military regiment, where he took refuge during the siege of Porto, in 1832, and where he started the novel “O Arco de Sant ‘Ana: Porto chronicle”;

– Almeida Garret Square next to S. Bento station;

– He was one of the responsible for introducing the heart of D. Pedro in the coat of arms of the city of Porto;
– grave in his honor at the Lapa cemetery, although his remains are found in the Jerónimos Monastery, in Lisbon;

– since 1954, on the 1st centenary of his death, a bronze statue of him has a prominent place in front of the city hall of porto,

– in 2001, when Porto was European Capital of Culture, the Municipal Library in the gardens of the Palácio de Cristal was named Almeida Garret.

He is described as a petulant and vain dandy.

(Português) O Sol Voltou ao Porto – As Praias do Porto
4 August, 2020 / , ,

The sunny days and heat encourage you to go to the beach and in Porto you do not have to go far to find a quiet place by the sea to sunbathe, stroll, savour a delicious meal or a cool drink.

Being in a city by the beach is an easy dream to fulfil for those who are in Porto. Visit the nine Blue Flag beaches where you can enjoy the summer without giving up the city life.

PRAIA DAS PASTORAS
(SHEPHERDESS BEACH)
The beach is delimited by two piers, which protects it from the wind. It is here that the Douro River flows into the Atlantic Ocean.
It has this name because it was customary for the shepherdesses to bring their sheep here to graze on the herbs and smell the seaside.

PRAIA DO OURIGO
The bathing tradition dates back to the 16th century, when it was said that these waters healed diseases.

PRAIA DO HOMEM DO LEME
(HELM MAN BEACH)
It’s ideal for those who have children, since it has two playgrounds. It is a rocky beach, with an area of 374 sq
meters. The name comes from the bronze statue, placed on Avenida de Montevideu, which pays homage to the fishermen.

PRAIA DO CARNEIRO
(RAM BEACH)
It has an extensive beach and has been very popular since the 19th century. Some centuries ago it was agrazing area. A folk tale tells that it was here that one of those sheep strayed from its fold. The image of the
sheep was eternalized on top of the Chalé Suíço (a kiosk that still exists today in Rua do Passeio Alegre).

PRAIA DE GONDARÉM
A beach with 115 meters of extension. The name of this beach derives from the Latin and means something like “rest in the battle”. It has a stone wall that is covered because of high tides, making it safer for children.

PRAIA DOS INGLESES
(BEACH OF THE ENGLISH)
As the name implies, it was a beach preferred by the British community of Porto. An 86 sq meters sandbank, an area of very smooth slopes and fine sand.

PRAIA DA LUZ
A small beach framed by rocks and a garden area on Avenida do Brasil. When the tide is low you can see two pontoons supporting the baths of the 19th century.

PRAIA DO MOLHE
(QUAY BEACH)
It has an extension of 168 meters and it is named after the coastal structure, similar to a pontoon that advances into the sea and limits the bathing zone. The landscape is embellished by the Pérgola da Foz, a cement balustrade built in the 1930s that functions as a privileged gazebo over the sea. The staircase and the surrounding area make it one of the most beautiful beaches in Porto.

PRAIA CASTELO DO QUEIJO
Located next to Castelo do Queijo. It is a rocky area, much sought after by fishermen and people seeking to take advantage of the medicinal properties of rocks.